![]() ![]() ![]() ![]() I really hope that people like it, and even if they don’t, that’s cool, too, though, because I loved making it.”Īs Rodrigo noted, she co-wrote the song with Nigro, who also produced and co-wrote “Drivers License.” He is the former lead singer and guitarist for As Tall As Lions, and in more recent years, he has also collaborated with artists like Carly Rae Jepsen, Lewis Capaldi, Finneas, Empress Of, and Caroline Polachek. It’s definitely a little different and sort of weird. I didn’t want to pigeonhole myself into this category of ‘sad ballad girl’ thing. But it’s definitely not like ‘Drivers License’ at all, which I’m really happy about. It sort of took the pressure off for me of following up ‘Drivers License’ since we planned this so far in advance. It’s a lot different than ‘drivers license’ lyrically, musically, and melodically, which is super exciting to me.” She toughed on similar points in a recent interview, saying, “I sort of had this single picked out in September. In a message shared earlier this week with her email newsletter subscribers, Rodrigo said of “Deja Vu,” “I wrote this song with my friend Dan Nigro last fall and I’m so stoked to finally share it with you all. 4 on the latest chart, but Rodrigo is ready to start her post-“Drivers License” career, and she did so today with a new single, “Deja Vu.” 1 on the Billboard Hot 100 chart, where it remained for an impressive eight-week run. She released her single “ Drivers License” at the top of the year and the song absolutely took off. Together we try to understand how the byzantine music copyright system works, and how its rules affect the sound of pop music today and in the future.To put it lightly, it has been quite a year for Olivia Rodrigo so far. This week we are airing the conversation Switched On Pop’s Charlie Harding had on the podcast Decoder with host Nilay Patel who is also editor and chief of The Verge. This online campaign likely contributed to Rodrigo handing songwriting credits, also known as publishing, to Hayley Williams and Josh Farro of the band Paramore. Viral TikTok videos compared Rodrigo’s “Good 4 U” to Paramore’s “Misery Business,” which share a common chord progression and vibe. Many listeners have commented on Rodrigo’s more obvious influences on social media. He is the former lead singer and guitarist for As Tall As Lions, and in more recent years. The question of whether someone can borrow a vibe resurfaced when Olivia Rodrigo shared songwriting credits on her hit 2021 album Sour with Taylor Swift, and comparisons have been made to the art of Courtney Love and music of Elvis Costello. As Rodrigo noted, she co-wrote the song with Nigro, who also produced and co-wrote Drivers License. Many artists fear that a bad court outcome could let an artist copyright a “vibe” using commonly used musical language. But recent cases increasingly litigate the core building blocks of music. Historically, courts have extended copyright to only unique combinations of words and music, not rhythms, chords, instruments. This story has come in and out of the news cycle in closely watched jury trials including artists like Marvin Gaye, Led Zeppelin, and Katie Perry. In the last ten years there have been 190 public cases, up over 350% from the prior decade, according to The George Washington University & Columbia Law School Music Copyright Infringement Resource. Smith’s melody for “Stay With Me” clearly drew from Petty’s “I Won’t Back Down.” On rare occasions these cases go to court, where music litigation is at an all time high. Frequently, credits are given retroactively to avoid the cost of long jury trials like when Sam Smith credited Tom Petty. ![]() The High School Musical: The Musical: The Series actress and singer, who recently. More and more artists are giving songwriting credits away. Olivia Rodrigo is baring it all once again with her new song dj vu. In the last few years music copyright claims have skyrocketed. ![]()
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